Please excuse the lousy sound in the movie, it's the
air-conditioner in the background.
Dropped D tuning study
Summers End - Part II
Listen
to a mp3 of Summers End with slide guitar playing
an improvised melody line.
Here is the second half of Summer's End. If you
missed the first half, click here.
Don't forget, this is in dropped D tuning. Lower
that bass string from E to D. Check it with the D string, make
sure it's tuned.
You'll find the second half of this is more of
a finger picking pattern than the first half. You'll see in the
movie that it revolves around a few basic chord shapes.
The first is a kind of Bm, but I let the open G
string ring as well, turning the Bm into an add13 (according
to GuitarPro's chord diagram). It allows two notes one semitone
apart to ring together, something considered to be clashing.
In this case though, it sounds "right", because that was the
effect I was looking for.
The second chord is exactly the same as the first,
only the bass note is an E, not a B. This simple switching of
bass notes turns the Bm into an Em, with the open G string now
becoming the 9. So it's an Em9.
Of course, none of these can really be considered
chords (except the very end bit), since I'm picking the notes
separately (arpeggiating), but it's much easier to see those
notes as belonging to the chords. You'll also see how the open
strings come into play in the melody. Notes seems to appear out
of nowhere in bars 7 and 8. That's a little 4 note figure that
uses two open strings.
Notice also the very distinct bass line underpinning
the whole piece. Really try to stress those thumb notes.
Mp3 of the piece
midi full speed
midi half speed
Here is the tablature (above are the midi
files generated by the tablature program):
Don't forget, if you're still looking for the trick
to seeing how the music lays itself out the length of the fretboard,
PlaneTalk -- The Truly Totally Different Guitar Instruction Book
teaches a very simple way of keeping track of it all, whether
chords,
melody
or harmony. It's a simple visualization technique, using something
we all learned the very first day we heard about chords.